Notable features[ edit ] The Chorus in Antigone departs significantly from the chorus in Aeschylus' Seven Against Thebes, the play of which Antigone is a continuation. Her dialogues with Ismene reveal her to be as stubborn as her uncle.
A chorus of Aeschylus' almost always continues or intensifies the moral nature of the play, while one of Euripides' frequently strays far from the main moral theme. He knows his reign makes him loathsome but he has no choice. More than one commentator has suggested that it was the gods, not Antigone, who performed the first burial, citing both the guard's description of the scene and the chorus's observation.
Athenians, proud of their democratic tradition, would have identified his error in the many lines of dialogue which emphasize that the people of Thebes believe he is wrong, but have no voice to tell him so.
She exemplifies the fundamental nature of responsibility. Antigone interrupts him, pointing out that she is soon to die. He is often interpreted as a close advisor to the King, and therefore a close family friend. Beginnings are important to Heidegger, and he considered those two lines to describe primary trait of the essence of humanity within which all other aspects must find their essence.
Portrayed as wise and full of reason, Tiresias attempts to warn Creon of his foolishness and tells him the gods are angry.
The outraged Antigone tells Ismene that Creon has decreed that the slain attackers will not be given proper burial rites. The Chorus enters, announcing that it is Creon's turn. Antigone had just been immured, when the crowd heard Haemon's moan from within.
Creon has made poor choices as a leader, and Eurydice stabs herself a short time later, blaming Creon for the deaths of her sons Megareus and Haemon. Creon orders that the two women be temporarily imprisoned.
Antigone and Ismene establish one of the play's major themes. When a man makes laws and combines them with the justice of the gods, his city will prosper and he will become great. In prohibiting the people of Thebes from burying Polyneices, Creon is essentially placing him on the level of the other attackers—the foreign Argives.
For Creon, the fact that Polyneices has attacked the city effectively revokes his citizenship and makes him a foreigner. She hesitates to bury Polyneices because she fears Creon. Unlike melodrama, tragedy is clean, restful, and flawless.
The order he valued so much has been protected, and he is still the king, but he has acted against the gods and lost his children and his wife as a result.
Creon says "everything else shall be second to your father's decision" "An. Those two lines are so fundamental that the rest of the verse is spent catching up with them.
But when he strays from the laws of the land and the laws of the gods, he will become an outcast. Koryphaios is the assistant to the King Creon and the leader of the Chorus.
Some critics refer to the Chorus's speech as Sophocles's "Ode to Man. Antigone is set in front of the palace at Thebes in the vague, mythic past. For cultures embedded in mythic belief, though, myth time carries a weight and value beyond ordinary time. For cultures embedded in mythic belief, though, myth time carries a weight and value beyond ordinary time.
Creon shows up in all three of Sophocles' Theban plays, and goes through quite a transformation over the course of the story. In Oedipus the King, he seems like a totally rational guy.
His cool reason highlights Oedipus's hot temper.
Overall, the parados in Antigone is a joyful celebration of victory. This is, of course, super-ironic. The audience has just watched the prologue, in which Antigone declares her intentions to defy the state. His four children – Antigone, Ismene, Eteocles and Polyneices – all, as revealed here, fell victim to that curse.
The Palace The action of the play takes place in the courtyard of the main palace of Thebes, the home of the royal family. Antigone and Ismene establish one of the play's major themes. Ismene points out that Creon's decree is the law of the land. But Antigone feels that the laws of the gods are more important than the laws of men.
After Antigone's brothers die in battle, Creon forbids burial for the elder Polyneices because he dared to attack Thebes. Pitying him, Antigone disregards the advice of her younger sister Ismene to obey Creon's decree and covers Polyneices' body in dust, declaring that religious laws of .A description of the hazards in antigone